Acts of worship. It is difficult to be a participatory community in the midst of a pandemic. There is so much we can’t do: congregate in our sanctuary, sing hymns together, exchange the sign of peace in person, share communion, meet for fellowship. We know this and justifiably lament these losses.
Still, we continue to express our acts of worship as best we can from our distances. And, dare I say it, we even find opportunities that were either not considered before or physically not possible in live worship. Think of Dave Brandom playing a trio with… himself. Or, coming up on Christmas Eve, our Chancel Choir consisting of both LAC family present in the community and who have moved away but who can join us again with some help from technology, accompanied by a piano duet where both parts are played by yours truly.
Or, this Sunday. A special act of worship, so appropriately titled by Marranda as an embodiment. Not an anthem or a cantata. Not a sermon. A dance. Mary’s response to the angel’s words, her song of praise, expressed through music and motion.
The music, by composer David Bednall, is an unpublished piece that he graciously gave us permission to record for our service. Marian Suite consists of three movements. In the composer’s words, “The first and last movements are Gregorian paraphrases on their respective chants, ‘Ave Maria’ and ‘Ave Maris Stella.’ The middle movement, ‘Mary’s Lullaby,’ is a free melody imbued with the feeling of folksong. There is both an Irish and Scottish feel to it, and I tried to impart to it the simplicity of a lullaby such as my Welsh grandmother might have sung.”
When I heard this music, I thought it almost cried out for movement. I imagined, with its focus on Mary, that it could be used to relate to the Magnificat reading from Luke that we will hear on Sunday. Through Becky Timms, another member of our LAC family who moved away, I was put in touch with Candace Tabbs, who created the dance she so beautifully presents for us.
In her words, “It was a joy and blessing to be in collaboration with Douglas and Nicole to minister Mary’s Magnificat through dance and music. The movement took inspiration from Luke 1:46-55, with each section exploring Mary’s journey through trepidation and doubt about what she was called to do, to soothing her child and herself in a lullaby and finally rejoicing in the power of God and all God has done and would do. The offering speaks to the infinite ways in which the Lord will embrace us with love and protection through all of life’s journey.”
Douglas Kostner
Director of Music Ministry
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